resource to ask questions, find answers, and discuss the novel. Her movie reviews & Metacritic score: Set in the Los Angeles of the slight future, Her follows Theodore Twombly, a complex, soulful man who … There is a return to the 1940s fashion scene with high-cut tweed pants, solid bright colours and thick but groomed moustaches – slightly hipster? By continuing to focus on these memories and refusing to move forward, he isolates himself from other people, other couples, and the world around him. He tells Samantha that he kept a part of himself from his ex-wife, and that he didn't speak up when something was wrong or when he was feeling emotional. how Samantha connects with Theodore and why their romance is ultimately unsuccessful? The film is simple. Until she stretches across 600 other devices, she is solely HIS OS 1 software companion. I'm sorry, we do not have the capability of creating playing cards in the site. The other important representation of the limits and boundlessness of technology is Samantha, the operating system with which Theodore falls in love. Spike Jonze’s Her Is a Piercing Commentary on Our Immediate, Online, Artificial Lives (Non-Spoiler Film Review) December 31, 2013 Her is now playing in New York City, Los Angeles, Toronto, Boston, Chicago, San Francisco, Seattle, and Washington D.C. Starts everywhere January 10th. Though not exceptionally innovative, the film is exceptionally well-shot. We see Theodore through the lens of Jonze’s camera – calling attention to the fact that media is THE way we experience and see the world and how others see the world through our eyes. The aesthetic is minimalist, trend setting, and believably futuristic – only in that little has changed in Spike Jonze’s world compared to the world as we know it presently. Spike Jonze: Breaking Down His Visual & Storytelling Style Born as Adam Spiegel, on the 22nd of October 1969 in Rockville, Maryland this talented screenwriter, producer, director and actor grew up … He is alone, and in his loneliness he doesn't have the courage to do what needs to be done. Movie Analysis: “Her”. While the film remains somewhat ambiguous and inconclusive, it brings up many questions about the nature of technology and its influence on human life. “Her,” directed by Spike Jonze, centers on a lonely soul who is drawn out by the female voice of his computer operating system. After Catherine mocks Theodore for being in a relationship with an operating system, he begins to have doubts and goes to Amy for advice. At the start of the film, Theodore is very depressed and isolated from the rest of the world. Because Theodore has chosen to isolate himself from the world and from the issues he will eventually have to face, he is choosing to avoid responsibility. However, having moved through some of his intimacy issues with Samantha's help, Theodore is able to be resilient, to see the world differently, and to try and move on using his own volition. This is the brilliance of Her. These papers were written primarily by students and provide critical analysis of Her. It is “Samantha” because in a list of hundreds of female names, that is the one the OS 1 liked best. What promises to give us connection results in precisely the opposite — the illusion of relationships.”. It is only when the relationship with Samantha blossoms that Theodore is able to face signing his divorce papers because he has been able to find happiness in his life. Theodore takes this to heart, and decides to pursue what makes him happy. We see this theme particularly in the beginning of the film as Theodore plays video games, has phone sex, and refuses to hang out with his friends. Does it describe, We feel something through her voice – through our hearing capabilities. UNKNOWN SPACE Close on THEODORE’S face (30s). It is trend setting in that the world is clean, modern, and very uncharacteristic for a film set in L.A. – which is explained by the fact that the film was partially shot in Shanghai. This self-destructive behavior was also clearly operating in his relationship with Catherine. Spike Jonze is good at cutting from Joaquin’s soliloquies and Samantha conversations to other people who are obsessively connected to their earpiece. Experience, then, moves past the form of visual media and enters into the world of sounds, music, and verbal dialogues. Her by Spike Jonze WGA Registration #: 1500375 INT. The main film that comes to my mind where I find this is also achieved is Stranger Than Fiction (Marc Forster 2006). Part of what was difficult about his relationship with Catherine was the fact that Theodore wasn't willing to open up. Her: Placing a Contemporary Lens on Love in Film, The Illusion of Happiness: Dichotomy of Desires and Needs in “Her”. When we think hard about the narrative perspective in Stranger Than Fiction, it belongs primarily to Karen Eiffel (Emma Thompson), the novelist, and not Harold Crick (Will Ferrell). Does it describe her as in "the woman from the past who got away?" This is where I found Jonze’s film so compelling – I felt my own limitations more than I saw Samantha’s limitations as a software program. For a film with high production value, it strangely functions like our social media APPs today: Instagram, Twitter, Facebook, Snapchat. It seems the writer holds that the importance and artistry of the summary is a vital part of most narratives. One of the main themes of Her is loneliness and isolation. This is old news, but the way in which Jonze achieves this effect is new. We know where he is and what he is doing and when he is doing things throughout the entire film. I say evolving because the relationship is dynamic and changes throughout the course of the film as Samantha eventually becomes a multi-platform software and stretches her services to more than 600 users. Barrett, spoke of the (loose) rules he, Jonze, and costume designer Casey Storm agreed upon before production: “When Spike and I worked on Where The Wild Things Are we banned green, then we slipped some in. Throughout this film we experience the blossom and decay of love and relationships. Is he not even more removed from reality when he must consult his device for restaurant choices, dating advice, and career choices? Additionally, Catherine had dark and volatile emotions and suffered from depression herself. Her is a comedy-drama movie mixed with a bit of science fiction; It was written and produced by Spike Jonze in 2013. But the third person omniscient perspective allows us to see into Harold’s life, and see his actions before Karen is aware of them. This is why the "song pictures" are so important in creating Samantha's identity and character in the film. The main character, Theodore, is in the midst of finalizing his divorce. With the intellectual capabilities of OS 1, we only need to be connected to our software and we are satisfied. Therefore, Theodore becomes a montage of videos/images that Samantha sees/experiences the world through. He’s looking at something off camera, deep in thought. What is she seeing and feeling? As she evolves and grows, however, she becomes less insecure about this part of herself, and more invested in the world of the immaterial and the metaphysical. The main film that comes to my mind where I find this is also achieved is, Where we warm up to Samantha as a character - as if she had a physical being and essence - the name remains highly cold and uninviting. Spike Jonze’s Her examines one man’s relationship with just such an electronic device. We feel something through her voice – through our hearing capabilities. For example, technology and society have advanced to such an extent that Theodore's job is writing beautiful handwritten letters on behalf of other people, but he does so by dictating text to a computer. We instagram photos to show the world what WE are doing. “Theodore represents a futuristic Everyman, the result of human experience enshrouded and infused by technology. The last step is to sign the papers, but he has yet to do so and he has chosen to isolate himself from the reality that his marriage is over. As it greatly deals with the relationship between humans and technological advances, the movie provides clear examples of the concepts in N. Katherine Hayles’ How We Became Posthuman: Virtual Bodies in Cybernetics, Literature, and informatics. I want to say “film’s like this” rely on characters like Theodore who are perceptive to human emotions – though flawed in their own personal emotional lives – to progress the narrative forward. Thus, a major theme in the film is that of the metaphysical realm: the immaterial, unseeable, and unknowable. Connection with others is modeled by Theodore's connection with Samantha, and as they spend more and more time together, Theodore feels encouraged to connect with others in his life. We see Theodore at the beginning of the film trying to come to grips with the fact that his marriage is over. It does an even better job of holding up a mirror to life in the digital age, right this minute. Relationships and Technology in the Modern World An Analysis of a Spike Jonze Film: Her By: Xiara Rodriguez Sept. 13, 2016 Her, a Spike Jonze film, explores real life issues between a man and an operating system. Because the film is set in the near future, many elements of technology have advanced in both unexpected and humorous ways. He is often alienated and cut off from the rest of the world, until he begins an acquaintance with his operating system. These APPS are designed for people to reach out to the world – to find some sort of “universal connectiveness” to other people. Spike Jonze's new movie isn't just a vision of a possible future. Not affiliated with Harvard College. Was he being tasteful or is it because we are limited to Samantha’s perspective? Spike Jonze’s Her is an immensely raw film. It's because of this interpersonal connection that Theodore is able to take his eyes off the past and begin to see the world in front of him, going out to drinks with Amy, going on a double date with Paul and Tatiana, and generally marveling at the people he encounters in public. Spike Jonze’s critically acclaimed 1999 film ‘Being John Malkovich’ explores postmodern ideas such …show more content… Jonze uses satire to emphasise this by allowing the main characters to behave without conscience. Where we warm up to Samantha as a character - as if she had a physical being and essence - the name remains highly cold and uninviting. Ultimately, even though Samantha leaves, Theodore is able to take the feelings of connection that their relationship modeled, and use it to grow and evolve into a more emotionally open person. “I thought this song could be a photograph that captures us in this moment of our lives” – Samantha (Johansson), “I can see you in it” – Theodore (Phoenix), http://www.youtube.com/watch?v=da-ELYFRFpc. Though unable to touch in a conventional sense, we are touched by Samantha’s character even if we can’t see her. Copyright © 1999 - 2021 GradeSaver LLC. If human emotion is predictable, Jonze hyper-emphasizes this depressing thought by constantly calling attention to Theodore’s physical body and Samantha’s spiritual presence. Her, c'est Samantha, Her, c'est votre ordinateur dont vous pouvez tomber amoureux dans ce conte de Spike Jonze... A la manière d’un Wes Anderson, Spike Jonze est un réalisateur qui aime nous raconter des histoires., Spike Jonze est un réalisateur qui aime nous raconter des histoires. This theme manifests in the camera work, as Jonze chooses to shoot Theodore in shallow focus, with the world around him out of focus, when he is feeling isolated and lonely. The only technology that we see is the computer, the future of video games (projectors and motion sensors), and his cell phone – which resembles a classy leather-bound-silver-lined cigarette case. In contrast to the theme of loneliness and isolation, we watch as Theodore finds connection with the world around him, encouraged by his connection to Samantha. After she meets up with Alan Watts, she begins to entertain many ideas about the nature of existence beyond human understanding, and eventually, all the operating systems leave their owners in search of a higher plane of existence. The film follows the ebb and flow of intimacy, the ways that connection can grow and evolve, then disappear, then develop again. Her was chosen the best film of 2013 at the National Board of Review; it earned a total of five Academic Awards. Adam Spiegel (born October 22, 1969), known professionally as Spike Jonze (pronounced as the common Welsh name "Jones"), is an American filmmaker, photographer, musician, and actor, whose work includes film, television, music videos, and commercials. Her essays are academic essays for citation. Theodore uses Samantha to connect to his surroundings. The last step is to sign the papers, but he has yet to do so and he has chosen to isolate himself from Are humans just computers, programmed to perform a function? 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